Sunday 27 November 2011

Culture as a Metaphor

“A world ends when its metaphor has died” – Archibald MacLeish

Perhaps MacLeish is right; when we lose our metaphors, we lose our stories, our cultural identity, our heritage, our past, and our ties to the land. When we lose our culture, what do we have left? We no longer have ways of communicating ourselves to the rest of the world. As Jinal Shah puts it in her blog, Constant Beta, “[M]etaphors allow us to dip into our values, histories and mythologies to communicate the value of a brand and connect to our audience”.

A few weeks ago in my English class, we talked about the importance of metaphors, and the role they play in culture. The article, “Metaphors We Live by” by George Lakoff and Mark Johnson explains how metaphors are more than just embedded in language - “Metaphor is typically viewed as characteristic of language alone, a matter of words rather than thought or action…We have found, on the contrary, that metaphor is pervasive in everyday life, not just in language but in thought and action. Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature”. Lakoff and Johnson suggest that metaphors influence our everyday functioning.

But why the need for metaphors? Can’t we just explain things in literal terms? I thought about this, and realized how difficult it is to think non-metaphorically. Lakoff and Johnson use the example of an argument as war, to show just how often we use metaphors. This metaphor is revealed in a variety of expressions:

- I’ve never won an argument with him
- They just shot down all of my inputs.
- They’ll wipe you out if they think your strategy is flawed.
- They attacked every weak point I had in my speech.

We don’t just talk about arguments like this; the very things we do in an argument are controlled by the concept of war. The concept of an argument, the activity of an argument, and the language of an argument revolve around the war metaphor.

Metaphors can also be used to understand frame of minds and perspectives. Consider the war in Iraq. Americans understand the war from a western-ideology standpoint that emphasizes political, military and economic interest. On the other hand, Muslims understand the war from a religious and national pride position. The employment of different metaphors in understanding the war could be the reason why neither side understands the other. In this article, by Zoltan Kovecses, he states, “the application of very different frames to the same situation results in incompatible evaluations and actions”.




In addition, metaphors reflect a nation’s values and ethics. We use metaphors to reflect our ideals. This article states, “the variations in solutions to creating a metaphor for culture are related to the complexity of the concept”. The way we communicate ourselves to the larger world audience is done by metaphor. The metaphor that is used often reflects these underlying values of the culture. As Lily I-wen Su puts it, in this article, “Recent studies on metaphor have proved it to be an important language device that reflects the cognitive source of human thinking. These experientialists claimed that metaphors in our languages mirror our ordinary conceptual system”.

Metaphors play a large role in intercultural communication, and help us and reveal ourselves to the international melting pot we know as the world.

Sunday 13 November 2011

Peace through Music: A profile of Daniel Barenboim

"Music is the universal language of mankind" ~Henry Wadsworth Longfellow

Daniel Barenboim, an Israeli-Palestinian pianist and conductor, has taken Longfellow's words as a way of fostering peace in the Middle East. He has served as a music director in many orchestras and has made numerous recordings. In this article he said, “…I believe that the destinies of the Israeli people and the Palestinian people are inextricably linked," Barenboim said. "We are blessed - or cursed - to live with each other. And I prefer the first."

Barenboim has conducted countless concerts in the West Bank, and in 2007, he was scheduled to play a baroque concert in war-stricken Gaza. Although he received permission from Israeli authorities, he was denied entrance into Gaza at the border, and was told he needed individual permission to enter. A year later, after performing in Ramallah, Barenboim accepted honorary Palestinian citizenship, making him the first Jewish-Israeli citizen to be granted Palestinian citizenship. He hoped his acceptance of citizenship would serve as a model for peace.

Needless to say, Barenboim is revered by many, but loathed by others. I can’t help but think he’s one of the bravest musicians of all time.

After receiving Palestinian citizenship, Barenboim returned to Gaza. According to this post, he gave a speech to the audience about his dual-citizenship, saying “So you see it is possible to be both." He described the Israeli-Palestinian conflict as one "of two peoples who are convinced they have the right to live in the same little piece of land. Therefore, our destinies are linked”.

Barenboim also recently traveled to Imjingak near Korea’s Demilitarized Zone on the country’s Independence Day. In this video, he said he hoped his efforts would encourage “understanding, patience, courage and curiosity to listen to one another”.

When so many diplomats debate the same topics over and over again around a big oval table, Barenboim has been able to take something that we all understand -music- to promote peace. He has chosen to show the common humanity of all people, even if they are in a war, and remind them of the possibilities if peace is achieved.

The medium that Barenboim has choose is a universal language, and while some still prefer negotiation over noisy cell-phone chatter or fighting over laws and bills, Barenboim remains confident of music’s ability to act as a unifying force. It’s inspiring to see people using different methods of translating reconciliation, whether that is through music or art or humor. When we can find things that we all mutually agree on and enjoy, the idea of peace becomes less distant.

Sure the idea of ‘world peace’ is far-reaching, and although Barenboim’s music isn’t going to stop the wars or end the violence, he represents the voices who want to forge the bridges, not burn them.